Day 8 of Noirvember: Favorite Obscure Noirs

Everybody’s heard of – and most classic film lovers have seen – such noir staples as Out of the Past, Double Indemnity, and The Postman Always Rings Twice. But what about those great, unheralded noirs?

There are countless first-rate pictures from this dark and shadowy era that fly so far under the radar you may never have even heard of them — and that’s a real shame! So today’s Noirvember post is devoted to three of my favorite “unknown” films from the classic noir era. Check ‘em out when you can!

Decoy (1946)

My first viewing of this film, which I purchased from a private vendor, was a copy that had Croatian subtitles — and you don’t know how glad I was to get my hands on it. I’d heard about Decoy through the noir grapevine for several years, but I’d all but given up hope of ever seeing for myself what the hoopla was about. Once I saw it, I realized the reviewers weren’t just whistling Dixie, if you know what I mean.

Margot Selby: One of the most fatal femmes you'd ever want to meet.

Margot Selby: One of the most fatal femmes you’d ever want to meet.

Decoy’s story is told in flashback by the main character, Margot Shelby (Jean Gillie), who, incidentally, is one of the most fatal femmes you’d ever want to meet (or, wouldn’t want to meet, as the case may be). Margot, suffering from a mortal gunshot wound, tells her tale to Sgt. Joe Portugal (Sheldon Leonard), whom everyone calls “Jo Jo” for some reason, explaining how she came to be in such a deadly state, and what’s inside the wooden box she’s clutching so tightly. The yarn centers on Frankie Olins (Robert Armstrong), Margot’s jailbird bank robber boyfriend; her lover, Dr. Lloyd Craig (Herbert Rudley); and her OTHER lover, Jim Vincent (Edward Norris), who’s a low-level hood. (Margot is one busy dame.) Margot also tells Jo Jo about a bank truck heist that netted a cool $400,000, and a little substance called “Methylene Blue,” which figures prominently in Margot’s plot to get her hands on the proceeds of the heist.

Margot and two of her stooges.

Margot and two of her stooges.

Favorite character: Margot Shelby played every man in this movie like a fine Stradivarius violin, delicately plucking every string until they are begging for more. And once she’s gotten what she wanted out of each of them, she tosses them to the side like so much used tissue, without the tiniest drop of remorse. Clearly, she is a sociopath, with violent tendencies, but she is also incredibly entertaining to watch — not to mention rather impressive!

Favorite Quote: “Don’t let that face of yours go to your head. . . . People who use pretty faces like you use yours don’t live very long anyway.” – Sgt. Joe Portugal

City That Never Sleeps (1953)

SSObscure4I fell in love with this movie the first time I saw it. I can’t exactly put my finger on what it was that took such a hold of me — maybe it’s the way it opens with a voiceover by the city itself. (“I am the city . . . I am the voice, the heartbeat of this giant, sprawling, sordid and beautiful, poor and magnificent citadel of civilization.”) Or the fact that the “city” in question is none other than Chicago, which happens to be where I was born and raised. Or perhaps it’s because it takes place on a single night.

Or it could be the way the film weaves together the stories of its rich set of characters: Johnny Kelly (Gig Young), a disillusioned cop planning to resign from the force the next day, leave his wife, and run away with his mistress; Johnny’s lover, Sally “Angel Face” Connors (Mala Powers), a nightclub dancer; Gregg Warren (Wally Cassell), who performs as a “mechanical man” in a department store window and also in love with Sally; crooked attorney Penrod Biddell (Edward Arnold), who hires Johnny to put the finger on an overly ambitious man on his payroll; Hayes Stewart (William Talman), the ambitious man in question, a former magician-turned-thief; and Biddell’s beautiful but duplicitous wife, Lydia (Marie Windsor).

The Mechanical Man (the guy on the right, by the way) was the most I could hope for in the form of a favorite.

The Mechanical Man (the guy on the right, by the way) was the most I could hope for in the form of a favorite.

Favorite character: This was a tough one, let me tell ya. There aren’t a whole lot of lovable characters in this one, you know what I mean? Not even characters you love to hate. Or hate to admire. So I’m going out on a limb and choosing the mechanical man, Gregg. Not because I was particularly fond of him — he was actually pretty pathetic up until the last five minutes of the film. But one thing I can say is he definitely made an impression. I first saw this film nearly 20 years ago, and I primarily remember two things: (1) I liked it, a lot, and (2) the mechanical man.

Favorite quote: “I feel like I’m in a cement mixer getting slowly chopped and pounded to death. I’ve seen all that I can stand to see.” – Johnny Kelly

The Great Flamarion (1945)

SSObscure7A pal I met through the World Wide Web sent me a DVD of this, and it literally sat languishing in my home for years before I decided to check it out. Boy, what a bonehead! The film stars director-turned-actor-turned pulp fiction writer Erich Von Stroheim (perhaps best known as Max , Norma Shearer’s butler in Sunset Boulevard), and noir veteran Dan Duryea, who would hold my riveted attention if he were on screen scraping bird poo off of his car. The film also features Mary Beth Hughes, who never rose to great cinematic heights but is a personal favorite of mine; she starred in I Accuse My Parents (1944), which was skewered by the guys over at Mystery Science Theater 3000.

Von Stroheim plays is the title character, an expert marksman making his living demonstrating his craft in a vaudeville show. Hughes plays Connie Wallace who, along with her dipsomaniac husband, Al, works as Flamarion’s assistant in his act. The plot heats up when Flamarion falls for Connie and they find that Al stands in the way of their happiness. Betcha can’t guess how they solve that little problem.

How can you not love a dame who's peaches and cream on the outside and deadly dairy on the inside?

How can you not love a dame who’s peaches and cream on the outside and deadly dairy on the inside?

Favorite character: Connie Wallace is just about the prettiest, sweetest-looking femme fatale on screen. With her flowing locks, peaches and cream complexion, and velvet-soft voice, you’d never suspect she was more a deadly viper than a sympathetic saint. At one point in the film, she not only juggles her husband and Flamarion, but she also adds a third ball to the rotation in the form of a fellow vaudevillian. She is one industrious sister.

Favorite quote: “If you think I’m gonna let you go so that some other guy can have you, you’re off your nut!” – Al Wallace

All three of these gems are available on DVD – do yourself a favor and give them a look!

And join me tomorrow for Day 9 of Noirvember!

~ by shadowsandsatin on November 8, 2015.

5 Responses to “Day 8 of Noirvember: Favorite Obscure Noirs”

  1. I also love the mechanical man!

  2. I’ve seen and enjoyed City That Never Sleeps, but not the other two…yet!

  3. Chill Wills could not have appeared in many noirs, was “City That Never Sleeps” the only one?

  4. Fun post!

    I haven’t seen Decoy in some time, but I remember liking it a lot! Have to view it again.

    The City That Never Sleeps is a fave because I’m from Chicago too and also because my late father briefly worked at The Silver Frolics (in the hatcheck) when he was going to optometry school in Chi back in the early 50s! So it’s fun to see the actual place in the movie.

    Haven’t seen The Great Flamarion lately but I also remember enjoying that. I’m a big Duryea fan myself, dig Stroheim too, and Mary Beth Hughes is one of my fave dames! BTW, there is a nice picture-packed profile of her in the November issue of CLASSIC IMAGES.

    And speaking of Chill Wills, he’s in that infamous Technicolor noir, the peerless Leave Her To Heaven with Gene Tierney.

    • Thank you, Irv! I’m from Chicago, too! (Is it any wonder we love the same movies??) How cool that you father worked at The Silver Frolics! Thanks for the mention about Mary Beth Hughes — you can bet I’ll be checking out that article. I don’t know how I missed it!

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